To reveal the music’s profound meaning, its vitality and contemporaneity, and to share his findings with others: this is what has impelled him to record this album. To complement his musical presentation, he asked Akira Mizubayashi, a Japanese writer of French novels permeated by a musical sensibility, for a newly written work with which to grace the CD booklet. Most listeners will be familiar with Bach’s double triptych of Sonatas and Partitas, without necessarily knowing them in detail. All the well-known landmarks are here – the famous Bourrée of the First Partita, the challenging Chaconne of the Second, the lively introductory Preludio and sprightly Gavotte en rondeau of the Third Partita. Fabio Biondi makes these thirty-two dances intensely present in his infinitely nuanced interpretation. He casts a radiant light on each piece, fully honouring its dance-like character while flexibly expanding its often polyphonic lines with poetic strokes of the violin bow. Without any superfluous embellishment, at a single breath his masterful playing sets ablaze the full spectrum of forms, textures and tempi, giving life to the music – the most natural life imaginable.