After mastering the mix of comedy, suspense, and horror that helped define the golden age of British cinema, Basil Dearden (along with his producing partner Michael Relph) left the legendary Ealing Studios and struck out on his own. In the late fifties and early sixties, he created a series of gripping, groundbreaking, even controversial films that dealt with racism, homophobia, and the lingering effects of World War II, noir-tinged dramas that burrowed into corners of London rarely seen on-screen. This set of elegantly crafted films brings this quintessential figure of British cinema out of the shadows. Sapphire (1959 ) Basil Dearden’s bold, direct police procedural, starring Nigel Patrick as the detective in charge of the investigation, is a devastating look at the way bigotry crosses class divides, and a snapshot of the increasingly interracial culture of England in the late fifties. The League Of Gentlemen (1960) A delightful cast of British all-stars, including Richard Attenborough, Bryan Forbes, and Roger Livesey, brings to life this precisely cali­brated caper, which was immensely popular and influenced countless Hollywood heist films. Victim (1961) Basil Dearden’s unmistakably political taboo buster was one of the first films to address homophobia head-on, a cry of protest against British laws forbidding homosexuality. All Night Long (1962) Othello is translated to the world of sixties London jazz clubs in Basil Dearden’s smoky and sensational All Night Long. This daring psychodrama also features on-screen appearances by jazz legends Charles Mingus, Dave Brubeck, Tubby Hayes, and Johnny Dankworth.