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This dissertation examines the role of modernism and modernity in Chinesespoken drama and film during the years between the May Fourth Movementand the beginning of the Second Sino-Japanese War. This influence is tracedthrough close readings of a selection of works in different categories, underliningrelevant themes and structures that are recurring in both drama and film.Rebecka Eriksson was born 1984 in Stockholm, she began her Ph.D. studiesat Lund University in 2009