Practices of Refined Observation. The Conciliation of Experience and Judgement in John Herschel's Discourse and in his Drawings (Erna Fiorentini, Berlin) - Theoretical Change and Visual Depiction. Artists and Geologists on the Isle of Wight in the Early Nineteenth Century (Charlotte Klonk, Berlin) - Cartography, Art and Mimesis. The Imitation of Nature in Land Surveying in the Eighteenth and Nineteenth Centuries (Vladimiro Valerio, Venedig) - The Panorama, or La Nature A Coup d'oeil (Charlotte Bigg, Berlin) - Carl Blechens Naturgemalde (Annik Pietsch, Berlin) - Hans Christian Oersted and the Royal Danish Academy of Fine Arts in Copenhagen (Nino Zchomelidse, Princeton) - Die Perspektivtheorie Johann Heinrich Lamberts und ihre Rezeption in der Kunst des fruhen 19. Jahrhunderts (Regina Schubert, Berlin) - Estrangement of Vision. Edgar Allan Poe's Optics (John Tresch, Chicago) - Ideal (Geometrical) Types and Epistemologies of Morphology (Bernhard Kleeberg, Berlin) - Describing Landscape - Experiencing Nature. August Wilhelm Schlegel's Conception of 'Selbstthatigkeit' and Aesthetic Judgement (Friedrich Weltzien, Berlin)