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By bringing to light Lermontov's operative version of Romantic individualism, Powelstock is able to make sense of the poet's relationship to 'romantic irony,' his highly modern concept of the reader (both real, and implied in the text), and his vexed passion for his predecessor Alexander Pushkin--a relationship that is almost always treated sentimentally, but is here given its true competitive edge. Furthermore, Powelstock offers the most persuasive account ever given of Lermontov's exceptionally odd treatment of, and success with, women--both in real life and in fiction--and of his cruel overlapping of these two planes.
Clarifying what has remained perplexing for so long, and correcting what has been misinterpreted, Powelstock's work illuminates Lermontov's views of dignity, death, love, nature, society, and ethics--and, finally, gives us an intellectual biography that is deeper and more subtle than any written before.
