Public Photographic Spaces - Propaganda Exhibitions from Pressa to The Family of Man, 1928-55
Focuses on photography as a tool for a fresh visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.
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