According to the guitarist Alberto La Rocca, Ernest Shand can be considered ‘one of the greatest composers for the guitar of all time’. Born into a musical family in Hull in 1868, Shand firstly learnt the rudiments of the instrument from his father before coming under the instruction of Catharina Pratten, a German guitarist who had performed as a child with Regondi and later with Gounod and Tárrega. She later married the English flautist Robert Sidney Pratten, settled in the UK and became known as ‘Madame Sidney Pratten’, and as one of the most celebrated guitar virtuosos of her day. Shand quickly proved himself to be her most talented pupil, and Pratten declared that his compositions far surpassed her own. During his lifetime Shand was widely recognized as the greatest English classical guitarist and composer, but his music fell into obscurity soon after his death in 1924. His surviving output of 220 works reveals a guitar composer of great originality and charm who had a gift for spinning infectious melodies. Many of these pieces were originally composed for Shand to perform himself on tours which took him afar as Australia. He retired from performance in 1897, however, after being assaulted at a concert in Nottingham by a Russian audience-member who had taken exception to a patriotic song. Thereafter he concentrated on composition, and his later music inflects his essentially Romantic style with bold modulations, modal writing and hints of the Impressionism that would become hallmarks of the revolution in guitar music wrought some decades later by Villa-Lobos above all.