Brandnew studio album by one of the most interesting musicians of the past four decades, formerly the guitarist/singer/songwriter of The Walkabouts, these days more known for his work in Dirtmusic and Distance, Light & Sky or as the boss of the most innovative and thrilling record label for World Music and beyond: Glitterbeat. A dark and intense masterpiece. he fifth solo album from Chris Eckman (The Walkabouts, Dirtmusic, Distance, Light & Sky) is a deep dive into the vagaries of these extraordinary times. Eckman's luminous songwriting navigates loss, disorientation, redemption and the search for home. Recorded raw and direct with a small ensemble, the record is framed by expansive sonic textures: treated strings, analogue synth drones and ambient guitars. Where the Spirit Rests was co-produced with British electronic composer Alastair McNeill (Roísín Murphy, Yila) and includes an inspired cast of collaborators: pedal steel maverick Chuck Johnson, avant-garde violinist Catherine Graindorge and Dream Syndicate/Green on Red keyboardist Chris Cacavas. The All Music Guide called Eckman "one of the most underrated U. S. songwriters, a man who can pack a short story into image-laden lyrics." The new album - Where the Spirit Rests - is amongst his most personal and vivid. A place to which he has been headed all along. This has been a time that's clawed at our hearts. It's dug deep into our bones. It's been a time to reach for touchstones to help us through it all, whether it's the solace of the familiar or the seeking of something new. For Chris Eckman, the time brought the desire to write songs once more, crafting and shaping the music that would become his new album, Where the Spirit Rests. "I hadn't played a lot of guitar in the last few years," explains Eckman (whose other job is running the global music label Glitterbeat). Even before the pandemic tore the world apart, he'd been confronting difficult changes in his personal life. Picking up the instrument again brought a muscle memory, a lifeline. It was a return to the things he'd known for decades as a musician. "From that, some songs came. They weren't very good at first, then around spring things started to grow." Songwriting brought a way to navigate his life, to articulate the thoughts and emotions tumbling around his head. At that point, though, they were only songs; he had no thought of making them into an album. "There was no deadline, there wasn't even a project; I had time to think about words and lines," he recalls. "I ended up with between 15 and 20 songs. Seven made it onto the record." Of those seven, the first two on the record ("Early Snow" and "This Curving Track") came as his writing began to catch fire, while the final three ("Northern Lights," "Where the Spirit Rests" and "CTFD") were among the last of the batch. Together, they form a collection of oblique short stories, "an internal dialogue between a person and the outside world," Eckman says. "It's a very insular voice,...